Intellect Books, 2007. — 274 p. — ISBN: 978-1-84150-177-2The History of Bande Dessinee Analytical Frameworks A Cultural Studies Approach to Bande Dessinee Bande Dessinee and subjectivity
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IMPACT Books, 2008. — 176 p. Создание лица: рисование выражений для комиксов и мультфильмов. Книга содержит все необходимое, чтобы дать вашим персонажам широкий спектр выражений!
Wizard Entertainment, 2006. — 120 p. — ISBN10: 0977861309, ISBN13: 978-0977861309. By tremendous popular demand Wizard Entertainment proudly presents the newest edition of the BEST OF BASIC TRAINING! This special 120-page book is the third in this series and focuses more on the basics of drawing along with more specific lessons on storytelling and more. Read more of the best...
Simon & Schuster, 1978. — 136 p. One of the first and still one of the best, Stan Lee’s How to Draw Comics the Marvel Way has been the primary resource for any and all who want to master the art of illustrating comic books and graphic novels. Stan Lee, the Mighty Man from Marvel, and John Buscema, active and adventuresome artist behind the Silver Surfer, Conan the Barbarian,...
Praeger, 2011. — 298 p. — ISBN: 978-0-313-36331-6. Graphic narrative art is a fascinating phenomenon that emerged centuries ago with the expansion of literacy and the publication industry. The earliest example of a repeating comic character dates back to the late 1700s. By following the growth of print technology in Europe and Asia, it is possible to understand how and why...
Deadline Demon Publishing, 2011. — 175 p. — ISBN10: 098357670X; ISBN13: 978-0983576709. Tom Richmond's book is a must-have for anyone aspiring to draw recognizable caricatures, whether in a live situation or in a studio from photos. It illustrates a multitude of concepts both visually and verbally, with example after example of almost every facial minutiae there is! As a...
University Press of Mississippi, 2014. — 175 p. — ISBN: 978-1-61703-149-6. In The Origins of Comics: From William Hogarth to Winsor McCay, Thierry Smolderen presents a cultural landscape whose narrative differs in many ways from those presented by other historians of the comic strip. Rather than beginning his inquiry with the popularly accepted "sequential art" definition of...